We tend to forget just how revolutionary George Lucas was as a filmmaker.

There’s a sense in which he was the ultimate auteur, an artist with a distinctive approach.

He knew what he wanted, and he’d make that film - whatever the critics thought.

George Lucas, Din Djarin, and Grogu

Custom image by Yeider Chacon

Well, fine, but I wanted to paint it white.

I don’t think there was anything wrong with painting it white.

I don’t think there’s anything wrong with me for painting it white.

George Lucas with A New Hope imagery

Custom image by Ana Nieves

Maybe it should be a green house, but I didn’t want it to be a green house.

I wanted it to be a white house."

Lucas himself pointed this out in an interview withWiredback in 1999.

A Star Wars Mural depicting the original and sequel trilogies with a pile of cash

You do the math."

This is a skill Lucasfilm has largely lost.

The movie is made Jon Favreau, taking advantage of ILM’s innovative Volume technology.

Headshot Of Pedro Pascal In The 30th Annual Screen Actors Guild Awards

It also sounds to have a much lower budget.

How Did Lucasfilm Keep The Costs Under Control?

A Promising Sign Of Change At Lucasfilm

How did Lucasfilm pull this off?

Headshot Of Jeremy Allen White In The 30th Annual Screen Actors Guild Awards

Part of the answer lies in technology, specifically in the Volume.

Used well, it helps to keep the costs under control.

But it’s also important to note this is a sign of trust on Lucasfilm’s part.

Jonny Coyne

It’s a great sign for the future, asStar Warsreturns to theaters at last.

Headshot Of Sigourney Weaver In The James Cameron And Jon Landau Handprints And Footprints Ceremony.

Movies

The Mandalorian & Grogu

Star Wars