Had these flashbacks been more limited and strategically planned, they might have been more effective.
Instead, they disrupt the main timeline.
The other two leads are fine in their roles, but their characters never reach their full potential.
After the sudden tragic loss of his daughter following an exorcism, a renowned heart surgeon refuses to face the reality that his child has died, despite declarations from medical examiners and even the priest who performed the expulsion. But as the funeral rites begin, mourners start witnessing unnerving changes to the girl’s body, leaving the priest to wonder whether something much more sinister—an evil more ancient than Catholicism itself—may once again be looming over them all.
