[…] He basically told me not to be scared, you know?
And dont let anybody bow down to the camera on set.
You know what Im saying?
The 5-perf, 65mm camera package, the System 65, has two sync-sound camera bodies.
So, it becomes a 100lb camera system, with zero ergonomics.
So, it is impossible to handhold the sync-sound version of that camera, you understand?
And you aint steadycaming neither… Its just too heavy.
You are on sticks or on a crane.
Or the camera on the ground.
Now this is essentially the same camera without the soundproofing, okay?
So now this camera is about 60lbs.
That camera can be handheld, that camera can be put on a steadycam.
But now, your dialogue with that camera, ADR immediately.
Because its almost as loud as, maybe, if not louder than the IMAX camera.
[…]
So, Chris advice to me was to use it like a Super 8 camera.
He saiduse it like you would normally use your camera.
And yeah, but we got close with that thing, man.
That was a part of what the movie had to be.
What will be interesting will be seeing whether Coogler continues to adopt IMAX technology in his future projects.
IfSinnersis any indication, Coogler could use it to great effect moving forward.
Source:The Big Picture
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