This sequel was a radical tonal departure, with 1986s action-heavyAliensbeing a very different moviefrom its predecessor.
However, these same critiques may have led to the uneven tone of the next outing.
This resulted inAlien: Resurrectionbeing both too colorful and not colorful enougha problem reflected in the uneven tone.
Scotts ownPrometheuswas all cool blues and neutral tones, a more washed-out version of the slick blue-tinted futurism ofAliens.
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